Feb 28, 2008 | Goals, Writing |
Hubby asked me the other night if, once I sold a book, I could write two or three a year like Other Writers. Not sure which Other Writers he meant, but I was kind of surprised at the question. I don't think he was trying to insult me, but he knows how long I've been working on this particular book. And yeah, it's ridiculous how much time I've spent rewriting the d*mn thing. So I understand his concern.
The answer, I told him, is yes. And I said it without hesitation because I know it's true. Yes, I am capable of writing fast. And writing well, I believe, while doing it. So why the wheel spinning this time? Because for the longest time it was just me and WIP. No critique partner, no beta reader, no editor or agent to tell me the idea wasn't viable the way I'd written it. Me, writing like a maniac, then stepping back and saying, “Uhhhhhh, hmm….”
It's taken me time to figure out what works and what doesn't. There's a lot that goes into a manuscript, much more than pretty sentences that read perfectly. I've read a lot of beautiful contest entries that go nowhere. Going nowhere is the greatest sin committed by the unpublished writer, I think. Because the published writer has an editor saying, “Hey, that lovely scene where your heroine drives to work thinking about how she got to this place in her life and how she'll never find love and how her last boyfriend was a jerk? It's got to go because it's not the real beginning of the story. The story starts on page 15 when the secret agent bursts into her office.”
My process has improved with the right critique partner. Tanya keeps me on track. She's the one who told me my heroine was doing a lot of reacting and not a lot of acting. And then, when I asked, she told me how to fix it. She gave me suggestions that made sense. I didn't use any of them, because I rewrote everything, but I used the gist, the core, of what she told me. My heroine doesn't react anymore. She's not passive, and she doesn't let the hero take control. I think Tanya will be proud when I send her those pages again. 🙂
Yes, I've rewritten this same book 3 times now. I mean throwing out hundreds of pages and rewriting. I have a discarded scenes file that's longer than the book is. Scary, huh? But I believe this is right. I believe I'm making the right choices this time. I believe the final product will be good. This time is the last time. This version goes out the door. I'll take editorial suggestions gratefully, in full knowledge that I CAN fix what needs to be fixed. But this is the final rewrite on my own. The next time is for an editor.
And I haven't completely been spinning my wheels. I've written and submitted two entries to the Harlequin contest, and I'm working on a Red Sage novella. I also have the second book in my special ops series planned and the first pages written. With every word, I get better. Every word, whether discarded or polished to a shine, propels me forward and makes me a better writer.
Yeah, honey, I can write more than one book a year. I'm getting faster and better all the time. My choices are better. My instincts sharpen with usage. My wheels have found purchase in the muck. I'm moving forward.
Any lessons you've learned lately? Can you write more than one book a year? How many rewrites are enough for you?
Feb 25, 2008 | Goals, Photos, Writing
What's mad about today? No idea, but it sounded catchy. 🙂 No, in fact, there's nothing mad about today. Except I can't seem to get myself started with my revisions. I left off on Friday in a good spot — basically, I'm rewriting a scene from the hero's POV instead of leaving it in the heroine's. I know what happens next, know where I have to go. But I guess I've been second guessing some choices I made in the novel. Should I axe this character and subplot? Does he do anything to forward the story, or is it confusing?
I've already axed one character and subplot because it was unnecessary on the rewrite. Now I'm wondering if this other character is unnecessary. *sigh*
Hubby helped me with an idea for a different book last night. It was fun bouncing ideas off him and, as usual, he had a really good idea for the heroine that I hadn't thought of. This book is simply in the concept phase. No pages written, no names picked out, nothing. But I think it could be a cool book. Naturally, it's in a different sub-genre than what I'm currently focusing on. Though, in fact, there is a military character, but it's more of an urban fantasy.
On tap for today: finish the d*mn scene. Go get propane for the grill. Write pages of a different book for a contest. Straighten up living room before mother stops by for a visit.
(Why a rocket? Because this is Rocket City, of course. Photo by hubby.)
How's your Monday Madness going? What do you do when the little voice tells you to cut characters from the book?
Feb 14, 2008 | Contests, Goals, Writing |
This week, I submitted two entries to the Harlequin Presents contest. I'm feeling good about getting those two stories out there. Even if nothing comes of it, I've actually pressed the send button. Yay!
Now, I must get my revised entry back to the Gotcha coordinator for forwarding. And I have to finish the rewrites on this book.
Oh, and I'm thinking about the Red Sage contest.
And Sven starts again on March 1st.
Sometimes, I really love being a writer. 🙂
Finally, Happy Valentine's Day!
Any accomplishments you're proud of this week? This month? Any special plans for Valentine's?
Feb 11, 2008 | Photos, Travel, Writing |
Okay, so it wasn't really a weekend, it was only a day. And there were 150 other people in the room too, so I guess I wasn't strictly spending time with Bob. But writing is about the hook (and, frankly, about lying), so there it is.
L to R is me, Misty Wright, Danniele Worsham, Bob, and Kim Kerr. We're the Heart of Dixie members who drove to Atlanta for the workshop.
Bob had lots to say about writing. Some of it I won't do (outlining). Some of it I will (lots, actually). If you can't go to a Bob Mayer workshop, pick up a copy of The Novel Writer's Toolkit, which the workshop comes from. The book is pretty good, though Bob's in-person delivery is better.
I also got to meet the fabulous and hilarious Jennifer LaBrecque. Here we are again, sans Misty, with Jen. I sat next to Jen throughout the day (8:30 to 4:00) and she kept me laughing for much of it. 🙂 You can find Jen blogging over at The Soapbox Queens.
I also got to see my buddy Carol Burnside! No pics of Carol, but that's because I was dumb and didn't take my own camera. I “stole” these pics from Danniele, who is smart enough to have her camera everywhere she goes. I must remember to take the camera!
I returned from Atlanta feeling energized and ready to work. Good speakers do that for you. Bob doesn't paint rosy pictures of writing, but he doesn't tell you you'll never succeed at it either. I've met those types, the ones who say don't give up your day job and you'll never make enough money to support yourself. Yeah, I know the odds are long, but the reality is that some people do make a living at writing. Not everyone is a J.K. Rowling (most aren't, in fact), but it's damn possible to support yourself if you work hard.
One of the most interesting things Bob said (I thought) was that we're in the entertainment business and we have to remember that our books are products. You are producing a product, not a baby — even though you've put your heart and soul into the work. You have to be able to see your book like a reader sees it. Because that's how an industry professional is going to evaluate your work. They want to sell it, not wallow in the lovely and amazing words you slaved over. Painting a pretty picture, getting lost in linguistic gymnastics simply because you want to do it, isn't the goal. Creating a compelling story is. Make the reader care about your characters, not your pretty sunset.
And now, to take the hardest part of the advice Bob gave, I'm off to use my computer for writing, not surfing.
Have you attended a workshop or class that inspired you? Changed any part of your process because of it? Did it work for you or did you go back to the old way of doing things?
Feb 8, 2008 | Books, Writing |
Go congratulate Nalini Singh on making the NYT list!!! Yay, Nalini!!!!!
Jan 29, 2008 | Revising, Writing |
There comes a point, with every book, when you have to know when to quit. Not quit the book, but quit fixing the book. Quit trying to make it fit an ever-changing vision. When is that point?
Damn if I know. This is where I am today, sitting here after a painful day of trying to revise (the contest winner, no less) and wondering if I've totally gone off the mark. Do I have enough suspense? Does the dead body show up too late? Is the threat to the characters too simple? Not scary enough? Is this book category or single title? Is it too dark for category and not dark enough for S/T?
Truthfully, I do want to quit the book. I want to shove it in a drawer (or a computer file) and forget about it for the next several months. Can't do it, though. It hasn't seen the light of day, other than a couple of contests. I have a request for it, but I can't seem to let it go, can't seem to feel it's right enough to send out.
I have other stories in progress, so I'm not just working on this one. But I can't see this one anymore. I can't discern the pluses and minuses. It's all bad or it's all good. I can't see shades of gray.
So it's the end of the day and I'm tired. I haven't even thought about dinner (thank heavens for that new grocery store, right?). The hubby is on the couch, the cats are bugging me, and it's raining. Hard. Calgon, take me away….
Do you ever reach the stage where you can't see the book anymore? Where it's just a big pile of rubbish you need to sort out? What do you do?
